Posts Tagged ‘ painting ’

New Works, Eleven Images 2017

Sorry, but I am getting caught up here. The older works (and some of these while the were still in progress) are here: https://elevenimages.wordpress.com/2016/01/06/eleven-images-new-work-2016/

As always, if you’d like to inquire about the pieces here (or any other pieces on the site not marked NFS, of course) simple e-mail me at eaton.robertb@gmail.com.

Meanwhile, here’s what I have been up to since the first of the year:

Started a new piece. For whatever reason, I wanted to orient this canvas diagonally to make a 10″ by 10″ diamond shape. Like so:

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Blank canvas, on easel.

I began by sketching an idea in graphite, and decide on a mix media piece, using graphite, marker, and acrylic paint.

This is the first sitting with that painting:

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The Hummingbird, mixed media on 10″ x 10″ canvas, first sitting.

 

Started working on two new pieces. Like the last one, this will also be joined by lengths of chain.

 

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Untitled, graphite and oil, 2 x 16″ x 20″ first sitting.

 

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Untitled, graphite and oil, 2 x 16″ x 20″ second sitting.

 

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Untitled (birb-something) oil and graphite on two 16″ x 20″ canvas, third sitting.

 

Worked for a little while on this one, it is getting much much closer to where I want it to be, but I will likely need another time or two at my canvas before I am ready to hang this one and let it dry.

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Untitled, graphite and oil on two 16″ x 20″ canvases, fourth sitting

 

and on the smaller easel:

 

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Untitled, graphite an oil on canvas, 11″ x 14″, first sitting.

 

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Untitled, graphite and oil, 11 x 14″,  second sitting.

 

Final

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“At a Red-light in a Warzone” oil and graphite on canvas, 11″ x 14″ final $205

 

I needed to push out some quick canvases to hit some of those lower price points.  Tweaking this one, but it’s done. It just needs a coat of finish, once it’s dried overnight:

 

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“Dispatches from the Life-ruiner’s Society” graphite and acylic on canvas, 8″ x 10″ (draft)

And development:

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in progress

 

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Dispatches from the Life-ruiner’s Club, graphite and acylic on canvas 8″ x 10″ $45

Began color-blocking a new piece:

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Untitled, graphite and oil on canvas, color-blocking.

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Untitled, oil and graphite on canvas, 11″ x 14″ first sitting.

 

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Untitled, oil and graphite on canvas, 11″ x 14″ (second sitting)

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“Those that Keep Watch” oil and graphite on canvas, 11″ x 14″ $235

 

 

A little more minimalist that what I generally do, but so far I like how this one has started, quite a lot.

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Untitled, oil and graphite on canvas 11″ x 14″, first sitting.

Second sitting:

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“It’s not that way, It’s over here” oil and graphite on canvas, 11″ x 14″ second sitting.

To finish out this piece, my feeling was a couple of touches were needed, to balance the image with a cool-ish color, but very subtle so as not to change the over-all tonal palette of the image. I think I got what I was looking for with this piece.

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“It’s Not that Way it’s Over Here” Oil and graphite on canvas, 11″ x 14″ $145

 

 

 

New works in progress. It’s been a while since I have done anything very large. A lot of my recent work been with 12″ x 12″ canvases, and 8″ x 12″. I decided I need to scale up, and I put three 16″ x 20″ canvas together for a total dimension of 20″ x 48″. Did the color blocking, and I have begun to move into building up the paint.

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“Untitled” oil and graphite on 3 x 16″ x 20″ canvas panels, first sitting.

 

This has been a slow practice in building color, at first glance, it may look like little has changed since the first image, but several more hours of building color have now gone into this one:

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Untitled, oil and graphite on canvas, 3 x 16″ x 20″, third sitting.

Spent some time on this one:

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Untitled, 3 x 16″ x 20″, oil and graphite on canvas, up close details

 

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shot 2, up close, details

 

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Untitled, 3 x 16″ x 20″ oil and graphite on canvas full image, second sitting.

 

Third sitting:

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Anguish is the Only Language in Which I have Proficiency” Graphite and oil on 3 x 16″ x 20″ canvas, third sitting.

A better look:

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Panels 1, 2 and 3, respectively.

 

The piece is done, and drying, I will post more images of the triptych when it is dried and attached via chain and ready to hang:

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The Triptych, (“Anguish is the Only Language in Which I have Proficiency”) drying.

 

Triptych, fully assembled, “Anguish is the Only Language in Which I have Proficiency” oil and graphite on 3 x 16″ x 20″ panels. Hung with chain, full dimensions: 20″ x 62″.

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“Anguish is the only Language in Which I have Proficiency” oil and graphite on 3 x 16″ x 20″ panels, hung with chain (full dimensions 20″ x 62″), $650

 

 

This piece came together quickly, I will do a little cleaning the image up, but likely, it will be 90% done as of this image:

 

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“Aphasia (Blunt Force)” oil and graphite on canvas, 16″ x 20″ first sitting.

 

This piece may be done –I’m still deciding.

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Aphasia (blunt force) 16″ x 20″ oil and graphite on canvas second sitting.

 

Began color-blocking on a new piece:

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Untitled, oil and graphite on 2 12″ x 12″ canvas, color blocking.

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Untitled, first sitting, oil and graphite on 2 12″ x 12″ canvas.

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“She Has Constellations Within Her” oil and graphite on canvas on 2 x 12″ x 12″ canvas, second sitting.

 

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“She Has Constellations Within Her,” 2 x 12″ x 12″ oil and graphite on canvas, suspended with chain & hooks (final). $195, (on left), pictured here with its companion piece, “No One Got Left.” [sold].

 

New work, first sitting. A couple artist friends have suggested a very high-gloss varnish for this piece. As a result, I am probably going to clean up this image only slightly, –leaving the image mostly unchanged– and experiment with some varnishes. Stay tuned as I develop that process, I’ll be updating as this one is finished:

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“Don’t Let Your Light Go Out” graphite and oil on canvas, 8″ x 10″ (first sitting).

An artist friend recommended I finish this work with a very high gloss finish. Finishing the work took a bit of experimenting –but I think I have gotten most of what I wanted. This is a piece that really needs to be seen in person.

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“Don’t Let Your Light Go Out (in memory of John)” 8″ x 10″ $180

Working on new pieces this morning, this was the first sitting with this one.

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“In Cold Spirals”graphite and oil on canvas, 16″ x 20” color blocking.

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“In Cold Spirals” 16″ x 20″ graphite and oil on canvas.

 

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“In Cold Spirals” 16″ x 20″ oil and graphite on canvas, second sitting.

 

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“In Cold Spirals”(final) oil and graphite on canvas 16″ x 20” $165

 

Some of the first new pieces this year:

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“Not All Wolves,” graphite and oil on canvas, 10″ x 10″, second sitting.

 

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“Not All Wolves,” graphite and oil on canvas, 10″ x 10″  final. $85

 

This one is shaping up to be a recent personal favorite, it’s name however, remain elusive.

 

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Untitled, graphite and oil on canvas, 16″ x 20″ color blocking

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Untitled, graphite and oil on canvas, 16″ x 20 ” second sitting.

Nearing done, but I may still work on it some more. Right now it’s drying on my easel.

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“No One Who Wanders is Truly Alone”  16″ x 20″, graphite and oil on canvas, $180

 

…and on the second easel:

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Untitled, graphite and oil on canvas, 10″ x 10″, second sitting.

Still working on this one:

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Untitled, 10″ x 10″ graphite and oil on canvas, third sitting.

 

This one goes to the done-pile (tweaked a bit, but here):

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“Bedhead” graphite and oil on canvas, 10″ x 10″ $65.

New Small Works, (Small Works Progress Administration) 2017

We’re already a couple weeks into the new year, I haven’t updated, but I have been busy.

I have started a new set of the Small Works Progress Administration (small paintings in acrylic and mixed media). That in the parenthesis there is something of a change in of itself: I discovered I really enjoy working in mixed media by doing a project for a friend. Previous series of small works had been in acrylic paint only, but this set includes acrylic paint, graphite, and marker, on gessoed cardboard. This new series will sell for $25 each. (dimensions are approximately 5″ x 9″, though these are hand-made items and their sizes vary)

The older small works can be seen here: http://wp.me/p2c9SR-bl

 

A couple new, enjoy:

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Bacteriophage, mixed media on cardboard, $25

 

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Combat boots, mixed media on cardboard, $25.

Putting newer stuff to the top now. I managed a few pieces this evening. I returned to images I have treated before in other places, some images come from cabinet photos, others are from my own 35mm photography of the area in which I live, and sometimes still life of random objects around my apartment:

 

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from cabinet photo, mixed media on cardboard $25

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still life of skull and small statuette, mixed media on cardboard $25

 

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Cabinet photo, mixed media on cardboard. $25

 

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Two versions of the same cabinet photo together, mixed media, $25.

 

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Entrance to St. Patrick’s Cathedral (Watervliet, N.Y. demolished) from on of my 35mm photos of the church. $25

Here are the first three of the new series, keep checking back as more will be going up soon.

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1868 Holy Bible, mixed media on gessoed cardboard

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Decorative Skull, mixed media on gessoed cardboard

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Polyhedron Die (D-20) mixed media on gessoed carboard $25

I have always been fascinated with skeleton keys. As an adult I have a small collection of them I buy in antique shops. Here are three studies of a couple keys I own, one is decorative, the other was bought at an antique shop.

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Skeleton Key (3 of 3) mixed media on gessoed cardboard. $25

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Skeleton Key (2 of 3) mixed media on gessoed cardboard $25

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Skeleton Key (1 of 3) mixed media on cardboard $25

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Skeleton Keys all three together on my easel. If someone wants to buy these as a set, I will sell them together at a discount.

Cultivating the Sketching Habit: Figure V2.0

Our new model Kyo did a great job tonight. He wants to see images of his modeling, so get them to him if you can:

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Adding the images from our previous session. We meet and sketch and drink again, this October 24th.

Enjoy.

 

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Study, female figure, graphite on paper. (The note, right is a reminder for me to recreate this image in a series of works done in wet gesso and acrylic paint)

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Study, back, male, graphite on paper

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Study, female figure, Prismacolor marker

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two studies, female figure with lap-harp, right, study of arm and clasped hands.

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Dancing, interactive pose, graphite on paper

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Back, female, graphite on paper

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interactive pose, graphite on paper

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graphite on paper

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Interactive pose, Casein paint, on paper

Thanks to everyone who attended, and special thanks to the models. Let me know if/how you would like your attribution to appear here). It was a great night for me and a great first night for the event.

Also, I came away with a lot of useful studies and sketches which might serve as jumping off points for other works down the line.

Enjoy the sketches, and keep reading below.

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figure studies, female and male, standing graphite on paper

 

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Female standing, male seated, figure study, graphite on paper

 

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Figure studies, female and male, standing, back view, graphite on paper

 

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Male, standing, study with figure aids (was explaining a concept to a class attendee) pencil on paper.

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Study, female figure, kneeling, graphite and casein paint on paper

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Male figure,seated, graphite and Casein paint

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Male figure, standing, graphite and Casein paint on paper

 

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Interactive pose, figure study, graphite and Casein paint on paper.

[continued below]

As many of my readers know, I am getting geared up to start a sketch and sip event at a local club. Since I am the host, it’s not like I can let my sketching game get slack. Nope. It’s time to get to work and pick up some graphite and brushes.

I booked a room at the Albany Barn, and scheduled a session with model, J, who is going to be one of our figure models for the event.

Before I scheduled the session, I talked with my model and I wanted to have a theme or an idea to build the session around so I might then have some images to work into a later piece. I decided on a post apocalyptic theme, and borrowed a Kukri (a type of machete) from a friend.

One of the things that is challenging at first, to learn about drawing figure is you simply do not have time to work in great detail. The key here is make each image a study of gesture, –the shapes you see in the body, light and the pose of the body. The images here are presented out of the order in which I did them. I began with a few short (5 minute) poses in graphite, the sketches done in Molotow acrylic paint markers were slightly longer poses (10 minutes) and the poses in which I used a mixture of graphite and Casein paint were 15-20munte poses.

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Pose 1, graphite on paper, model -J

 

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Pose 2, graphite on paper, model -J

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Pose 3, Molotow acrylic marker (sadly, the marker, which is metallic and reflective, does not show up well in photographs)

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Pose 4, graphite on paper

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Pose 5, graphite on paper.

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Pose 6, Molotow Acrylic paint marker

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Pose 8, graphite and Casein paint

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Pose 9, graphite and Casein paint.

 

En Plein Air (open air) Painting

While I am not primarily a water-colorist, (to me that was always my mother’s medium and she still owns the title family water-colorist) –I have begun to develop a lot of work in that medium. However, since the weather has been lovely as it has been, I have decided to do a series of watercolor paintings painted around Albany En plein air. Early in my teaching, I made an effore to develop proficiency in the medium. As I had to teach other people to use watercolor, I quickly taught myself and have greater comfort with it.`As the summer progresses I will probably do a lengthy series of watercolor.

Currently, I am intending to incorporate Eleven Images as a 501c (non-profit) in the very near term, and I also need a passport to begin traveling overseas. So, sales of this series will likely be used towards those purposes. I can ship these, and I accept paypal. though they would probably be most meaningful to someone with ties to the area.

Today, I was in Washington Park, on the west side of the lake there. The images are looking east over the lake. (all images watercolor on paper, 11″ x 14″)

I could sell these as a series (3, make offer), or $30 each.

 

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Sky, Washington Park

 

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Stones, Washington Park

 

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Lake and Trees, Washington Park

 

6/24/16: I returned to Washington Park today to paint a few more images. I think I will begin, next time, moving my easel around the city, and also, perhaps, into Troy and Schenectady. So if you happen to see me out and around, feel welcome to say hello and peek over my shoulder.

Enjoy

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“Washington Park Lake, Bridge” watercolor on paper 11″ x 14″

 

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Washington Park, flower beds, watercolor on paper, 11″ x 14″

“Years Later, I Stopped Looking for Places to Hide From Her”: Session 1

I started a new work today. The image comes from this sketch, which is a pencil drawing I did from a photo by photographer Clifford Richards of the Steven and Harriette Meyers House. The Meyer’s Residence was once a stop on the underground Railroad, and a local organization is currently fundraising to renovate the house and make it a historical site and cultural center. It is located on Livingston Ave in Albany:

Here is my beginning sketch (with my prompt for the larger piece, which I will talk about in a moment):

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Now, I have always believed that as an artist, one needs to find a way to connect to the emotional content of the work you are creating. Since pre Civil war as an era of history is a little beyond the scope of my experience, I used a prompt to get me thinking about the piece. The title refers to a period in my early twenties when I had to withdraw from school to tend to my health. At the same time, a pretty serious relationship had ended, and my former fiancee had made some pretty wild accusations about my behavior. As a result of that I developed a strangely specific anxiety about meeting my former partner in public places. I began mistaking almost any petite girl with dark hair that bore a passing resemblance for my former partner. Agoraphobia, if you call it that, or any related phobia of that sort is pretty balls. Panic attacks suck.

The prompt may be about a pretty dismal time in my life, but it’s hopeful, because it suggests that that fear passed with time.

Anyway, before the picture of my first session with the piece: I needed to let the first coat of paint dry before I continued to build the colors. I made the pitch of the stairs less steep, and opened up the fore-ground (see original sketch). I hope to continue to work on this piece throughout the week. If I make some progress, I’ll share it here:

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The work is large, acrylic on canvas. It is very much a work in progress.

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So, session two. I am building the colors and darkening the painting. I feel like the contrast has to be made even greater. Here is the work after session two:

 

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More recent works

Here is some of the recent work I have been doing:

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Not the best image, admittedly from the camera, but I liked this one. One of the other assistants in the class I teach brought in the subject for this still life from her day job –which is for a company that installs sprinkler systems, or something of the sort. Occasionally, they have to replace rubber tubing that is overgrown by tree roots, which is what this is.

I like that people tell me it looks like a heart that is pierced by something, or a dead animal or skull of some sort. It was a pretty challenging subject for painting. It’s acrylic on paper.

Recently, I began working on the sketch for another idea. At Trinity Institution where I teach the weekly class, there is a series of photos of the Steven and Harriet Meyers residence. The Meyers house was once an Albany stop on the underground railroad, owned by a prominent abolitionist. The house is currently being restored to be used as a historic site. The photos of the house under restoration are all compelling, but I decided to do a pencil treatment of the following picture as a warm up to a possible larger, complete work or treatment of the subject.

Here is my (unfinished) pencil sketch so far:

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The photograph was one that I found compelling because it shows the basement staircase –the basement being place that logically would hide the presence of people not wanting to be found. The photo was compelling as well because the area of greatest light is beyond the door-frame, and the walls beyond them darken into near total darkness at the bottom of the page. It was a very well-shot photograph (when I think to I will update this with the photographer’s name).

I apologize the photograph is not very clear, it seems the next thing I may need to buy is a compact digital camera to replace my trusty Kodak Easyshare. It seems to be on its way out.

A couple weeks ago, The art class I am a part of hosted an art contest held as part of the launch of a community walking path in the Arbor Hill neighborhood. I spent most of the day handing out pencils and paper to young kids in the neighborhood, and encouraging their efforts in the contest. As I was set up, I did a quick line drawing of a tree on the property.

Ultimately, I took the rough drawing home, and finished it in pencil. Still not happy with the result, I layered the painting with thin layers of water color paint. So the piece is mixed media, on a rather large sheet of paper.

Here it is before the water color: 111_2988

And here is the finished (essentially, there is one problem I may want to correct before sale) piece:

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Arbor Hill Tree, pencil and watercolor on paper. Inquire about sale and dimensions.

And a couple recent sketches:

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