Archive for the ‘ community events ’ Category

Eleven Images: Featured Pieces of the Week

On this page, each week I will spot-light a different work that is for sale and not currently on exhibit. I’m inundated with a glut of work in my two-bedroom apartment. With that in mind, I will feature different pieces here each week discounted from what I have asked when the works were on exhibit.

For inquiries, contact at

I’ve always operated under the assumption that original art should be affordable to everyone. I am updating this page  to showcase my original work around $100 or less. I’m price-dropping a few to fit them in here:

New, bizarre stock photos and new sea critters:


“Perplexed Older Woman Pointing a Gun,” graphite and mixed media on paper 9″ x 12″ $35.  


“Nude Woman With Spaghetti in Her Hair” graphite and mixed media on paper 9″ x 12″ $35.  

Sea Critters:


“Perplexed Oar Fish” graphite and mixed media on paper 9″ x 12″ $35.  

graphite and mixed media on paper 9″ x 12″ $35.  graphite and mixed media on paper 9″ x 12″ $35.


“Bearded Armored Sea Robin,” graphite and mixed media on paper 9″ x 12″ $35.  

Added to the bizarre stock photo series, “Portrait of a Man with a Fried Egg on his Head” acrylic and graphite on gessoed paper, 9″ x 12″ $40.


Portrait of a Man With a Fried Egg on his head, acrylic and graphite on gessoed paper, $40.


During my travels about, I found a crow’s skull in a grassy area near my home. Naturally, I took it home to do some studies of it.


Crow’s skull, study, charcoal on paper, 9″ x 12″ $40 (inquire about framed price)


Crow’s skull, study, graphite on paper 9″ x 12″ $40 (inquire about price framed)


Crow’s skull, study, gauche and charcoal on cardboard, 9″ x 12″ $40 (inquire about price framed)



Crow’s skull, study, gauche and charcoal on paper, $40 (inquire about framed price).

For those who may be interested, I have also added the Crow’s Skull Woodblock prints A single print (two colors) are $40. Prints can be ordered in custom colors of your choice.


The Pair, Woodblock print on paper 9″ x 12″ $65.



Crow’s Skull, Woodblock print, 6″ x 9″ $40.


Crow’s Skull, Woodblock print, 6″ x 9″ $40.



Crow’s Skull, Woodblock print, 6″ x 9″ $40.


Crow’s Skull, Woodblock print, 6″ x 9″ $40.



“The Murder” Woodblock print on paper, 18″ x 24″ $95.


Two new plant studies (gauche and graphite):


Echinacea study, graphite and gauche on paper, 9″ x 12″ $40



Dandelions, study, graphite and gauche on paper. 9″ x 12″ $40



A couple new works on paper:


Risperdol Pill, graphite and gauche on paper, 9″ x 12″ $40



(New!) Chambered Nautilus, casein paint and mixed media on gessoed paper, $40


“Frilled Shark, graphite and gauche on paper 9 x 12” $40.


Vampire Squid, graphite and gauche on paper, 9″x 12″ $40.

New sea critter, also, experiments in a new medium (gouache):


Octopus, gouache and charcoal on gessoed paper, 18″ x 24″, inquire if you want framing.

A couple new pieces::


Domesticated Cat skull study, mixed media on gessoed paper, 9″ x 12″ $40


Big Red Jellyfish, mixed media on gessoed paper, $40



Copper shark, skull study. mixed media on gessoed paper, [SOLD].

Octopi and a cuttlefish, $40 each, ask about framing.


More sea critters:


Dumbo Octopus, mixed media on gessoed paper, 9″ x 12″ $40 [sold]


Sea Toad, mixed media on gessoed paper, 9″ x 12″ [sold]


Abstraction, mixed media on gessoed paper 9″ x 12″ $40


Squid Worm, mixed media on gessoed paper, 9″ x 12″ $40.



Tetragrade (waterbear) mixed media on gessoed paper, 9″ x 12″ $40



Flap-jack Octopus, mixed media on gessoed paper, 9″ x 12″ $40.

Latest works on paper,  $35 each, inquire about custom framing:


Plague Doctor, mask, mixed media on gessoed paper 9″ x 12″ $35.


“Defiance” mixed media on gessoed paper 9″ x 12″ $35



Study, cucumber flower, mixed media on gessoed paper, 9″ x 12″ $35.

Decided to do something a little weird. These images are all based on the weirdest stock photos I could pull up on google.

$30 each (inquire if you are interested in framing)


Baby in a Shipping Box, mixed media on gessoed paper $30.


“Child Smelling a Cactus” mixed media on gessoed paper. $30.



“Woman Holding  Slice of Bread” mixed media on gessoed paper $30.


Dispatches from the Life-ruiner’s Club, graphite and acylic on canvas 8″ x 10″ $45



“It’s Not that Way it’s Over Here” Oil and graphite on canvas, 11″ x 14″ $115 (price reduced!)



“Not All Wolves,” graphite and oil on canvas, 10″ x 10″  final. $85


“Bedhead” graphite and oil on canvas, 10″ x 10″ $65.


“Starvation” 11″ x 14″ oil on canvas, Was $60, now $45 (already reduced!)


“Uneasy Chair” oil on canvas, 12″ x 12″ Was $115, now, $95


“Something Like Purity”oil on canvas, 8″ x 10” $45


“Mother of Crows” acrylic on canvas 16″ x 20″ $100 (price reduced!)


“Something Like Purity (portrait Emilie Flöge)” oil on canvas, 8″ x 10″ final $75.



“Dissolve/Dissolute” graphite and oil on canvas, 16″ x 20″ $115




I am restocking on supplies this month! A selection of work on paper, many more to choose from. Sale price, $35:

A few new pieces:
























Small Works Progress Administration, “Skeleton Keys,” (set of 3) mixed media on cardboard, (size approx 5″x9″ each) (set $65)


Older: (these are for sale at the prices listed)

Had some pieces come off exhibit this week:  $35-$40 each. If you have your own frame, make an offer.


Empire State Plaza, mixed media on paper, 8.5 x 11, $35, or make best offer.



Study Cabinet Photo (Old Man), mixed media on gessoed paper, 11″ x 14″ $40, or make offer.



Study, Alley in Troy NY, graphite and acrylic paint on gessoed paper, 11″ x 14″ $40 or make offer.

Featuring one of the larger pieces, –also– price drop.



“Horror-Skeksis,” acrylic paint on wood panel, 11″ x 16 and 1/2″, was $200, now $180

The exhibit “Impressive” at the Albany Barn has come down. Thank you everyone who came out to see my work and work by other great area artists featured in the show.

I have four of the wood-block prints, here. I would like to sell them as a set, but I will entertain offers for the individual pieces as well:


“No One Who Wanders is Truly Alone”, woodblock prints (set of four) recently exhibited at the Albany Barn, $45 each.


This week, some work in mixed media on paper. First, some weeks ago I took a bus down to the river-front and did this study of “The Livingston Ave Train Trestle”


“Livingston Ave Train Trestle, Albany, NY. mixed media on paper, 8 and 1/2″ x 11” $35.

and this:

from a 35mm photo, a study of the The Richardson-Olmstead Complex (former Buffalo State Psychiatric Center), viewed from the rear of the administrative building.


The Richardson-Olmstead Complex, study, pencil on paper, 11″ x 14″ $30

And lastly, this:


No One Who Wanders is Ever Truly Alone” oil on canvas, 16″ x 20″ (2016) $205

For those keeping track, This painting was the source imagery for the wood-block prints I did, that are currently being exhibited at the Albany Barn as part of their “Impressive” exhibit.


Some older features here:



“In Cold Spirals” graphite and oil on canvas, 16″ x 24″ was $165, now $150


Lastly, I had a person interested in a photo, so I made two 8″ x 10″ copies, This is the second, framed, $30.


Washington Park Lake, 8″ x 10″ print, Olympus OM-1 35mm camera. Framed, $35


Also, I am selling prints of my photo’s of St Patrick’s Cathedral (Watervliet, NY, now demolished):



Saint Patrick’s Cathedral, (2011) Olympus OM-1 35mm camera. 4″ x 6″ print $30


Some new featured images for this week (2). Also, message me about the other (past) featured images. The first work –at its sale price– is part of a series of smaller inexpensive works in oil, titled “Uneasy Chair.”


“Uneasy Chair,” oil on canvas, 10″ x 10″ $95

Also, in honor of today (4/24) being the day in 1990 that the Hubble Telescope launched on the space shuttle Discovery, this image (“In Cold Spirals”) was inspired by images of spiral galaxies which have become inspiring and familiar to those who follow the current era of space exploration:


“In Cold Spirals” Oil on canvas, 16″ x 20″ $165.


This week’s featured piece is one I did for a themed show that was, sadly, not accepted for the show. The work is acrylic on two wood panels re-purposed from an abandoned table-top I commandeered. The image is based on a nineteenth-century headstone I photographed in Amherst, Massachusetts. The sale will include a print of that photo.


19th-century Death’s Head Wings. Acrylic paint on gessoed wood. 2 wood panels 14″ x 35″ each. $185.


Image of artist with the work:



[Items below are on sale]

Brand new, finished up over the weekend:


Aphasia (blunt-force) oil and graphite on canvas, 16″ x 20″ $90

Some older featured works, –now at reduced prices for the duration of the sale. “Body at Rest” I love his little guy so much, and I’d like him to have a home.


Body at Rest, oil on canvas, 10″ x 10″ $175

“Mother of Crows”


“Mother of Crows” acrylic paint on canvas, 16″ x 20″ $70

“No One who Wanders is Truly Alone”


No One who Wanders is Truly Alone, oil on canvas, 16″ x 20″ $150

Also, “Uneasy Chair.”


“Uneasy Chair” oil on canvas, 10″ x 10″ $95


Keep checking back as I’ll be featuring different recent pieces in this space. There’s a few more if you scroll downward that are also on sale.




“Do Hearts Find Jagged Edges?” 16″ x 20,” oil on canvas, $125.



“No Lover Isn’t a Noose in Time” oil on canvas, 12″ x 12″ $65




“Lullaby for a Castaway” 8″ x 10″ oil on canvas $55



Please email inquiries or offers to (see the about section for details). As I said earlier, I have a whole lot of work that has recently come back to me. The following works were all included in The Art on Eight show. The show was put on by the New York State Office of Mental Health to spotlight the art work of artists who receive services through the Office of Mental Health. (Some of the previous show have been included in OMH’s Art on Eight Flickr gallery.


Several of the small works together that were recently in the show.

Several of the small works together that were recently in the show.

You can see more close up shots of the works as you scroll down (all these works are framed –you will probably wish to use another frame, it was a temporary solution for display purposes) These works are all $25, use the contact information in the about section of this blog: The following pieces are all approximately 8′ x 10″.

Fedralsburg, acrylic on cardboard

Fedralsburg, acrylic on cardboard [sold]

Study (Manet) The Old Musician, acrylic on Cardboard

Study (Manet) The Old Musician, acrylic on Cardboard

Figure Study, colored pencil on paper

Figure Study, colored pencil on paper

Trinity Church, acrylic on cardboard

Trinity Church, acrylic on cardboard

Young Mother and Child, acrylic on cardboard

Young Mother and Child, acrylic on cardboard

Dread locked Cow-girl, acrylic on cardboard

Dread locked Cow-girl, acrylic on cardboard

Figure Study, charcoal on paper.

Figure Study, charcoal on paper.

Exhuman, Hive. May 1st, 2015 in Albany, NY at The Fuze Box

Photos from Exhuman’s recent event, Hive. Photos by Robert B. Eaton/Eleven Images, please attribute. Taken with Canon Powershot digital camera and edited in iPhoto. IMG_0140 IMG_0141 IMG_0142 IMG_0150 IMG_0151 IMG_0153 IMG_0154 IMG_0155 IMG_0156 IMG_0157 IMG_0158 IMG_0159 IMG_0160 IMG_0161 IMG_0162 IMG_0163 IMG_0164 IMG_0165 IMG_0166 IMG_0168 IMG_0169 IMG_0170 IMG_0172 IMG_0174 IMG_0175 IMG_0177 IMG_0179 IMG_0184 IMG_0185 IMG_0186 IMG_0187 IMG_0188 IMG_0191 IMG_0192 IMG_0193 IMG_0195 IMG_0196 IMG_0197 IMG_0198 IMG_0201 IMG_0203 IMG_0204 IMG_0205 IMG_0208 IMG_0210 IMG_0217 IMG_0219 IMG_0220 IMG_0221 IMG_0223 IMG_0224 IMG_0225 IMG_0228 IMG_0229 IMG_0230 IMG_0231 IMG_0234 IMG_0235 IMG_0236 IMG_0237 IMG_0238 IMG_0239 IMG_0240 IMG_0246 IMG_0247 IMG_0248 IMG_0250 IMG_0251 IMG_0255 IMG_0262 IMG_0264 IMG_0265 IMG_0276 IMG_0277 IMG_0280 IMG_0282 IMG_0284 IMG_0285 IMG_0286 IMG_0288 IMG_0289 IMG_0290 IMG_0291 IMG_0292 IMG_0293 IMG_0294 IMG_0295 IMG_0297 IMG_0298 IMG_0299 IMG_0301 IMG_0303 IMG_0304Exhuman occurs the First Friday of the month in Albany, NY, at The Fuze Box.

This Week (give or take) in the Class.

I’m going to try to break up the posts to progress every couple weeks. I’m still waiting to iron out the issues surrounding HIPPA (confidentiality) and showing student work (many students are doing fine work in the class). Until then, I will continue posting in class demonstrations. If you’re seeing this post the first time, my class is the blind leading the blind. I have struggled with a mental illness for decades. I’m celebrating my thirty-sixth birthday in a couple days. (August 14th) I am happy to be alive. I am happy to be teaching students in an inpatient psychiatric hospital that art can be a way to heal yourself, to grow personally, and to keep yourself well and out of hospitals.

The pictures are what I draw as I am teaching my students.

In the past week,(6/29-7/7) I’ve continued to focus on the use of color. Here are some more of the in-class demonstrations. I have based my lessons on a book I have borrowed from the library, “Understanding Color” by Marcia Moses. I’ve been using a couple of images by Norwegian artist Edvard Munch as out in-class examples, because Munch’s use of color is so striking of an example of the use of a limited palette.

Continuing the class discussion on color theory. I have been making art my whole life, and I’m picking up what I might of missed in my informal education, from what I take out at the library. My degree is not in art, so I am learning as my students learn.

We were doing split complimentary color schemes this week (complimentary pairs, pus an adjacent color on the color wheel).

My in-class demonstrations:


Vincent Van Gogh, “Peach Tree in Bloom” reproduction. OIl pastel on paper.


Color study. I gave my student the prompt: “Locals say, if you go you will still find her there waiting” Oil pastel on paper.


Oil Pastel on paper, reproduction of one of my photographs, looking south from the Rennselaer train station.

Before our discussion of color, I did a simple exercise I feel is helpful for training the eye. I began the week by bringing in a bag of dried leaves from my yard. I had intended to encourage students to develop their eye for detail. This was an exercise I found useful, early on, as I was developing my own abilities:


Leaf, charcoal on paper.

Shifting the discussion to color, I started with a simple geometric abstract, and encouraged students to use a limited palette in their own drawing.


Abstract, oil pastel on paper. Students were encourage to use a limited palette. My example is dominated by the complimentary colors blue and orange, and green.

The next two examples are explorations/reproductions of Munch’s work. His general color palette and strong use of color worked well to illustrate aspects of color theory for my students.


Oil Pastel on paper, Based on Edvard Munch’s “White Night.”


Oil pastel on paper, based on Edvard Munch’s mural at the University at Aula, “The Sun.”

Over the past week, the class focused (mostly) on using perspective. In most of the classes over the past couple weeks I have also been teaching students to mix color and have been teaching the to work in water color.


From pictures I took as an adolescent at the Grand Canyon, Arizona, USA. Water color on paper.

(Explanation of caption under the painted image: I wanted students to think of their lives before they were ill, and the kind of person they were –or might be, if they recovered from their mental illness. I had brought in photos I took of the Grand Canyon when I was an adolescent, before I was diagnosed and before I knew I had a mental illness. I had all the students caption their image with something about themselves. My caption reads “before I was ill, I was creative and adventurous.”)


Barn, water color on paper. From the book “The Welsh Hills of Waukeska County” by Pat Byrne


Charcoal and Water-color on paper, reproduction of Paul Klee’s “The Conquerer”.


Tree-lined path/road. Based on a photo from the Welsh Hills (Byrne) again).


Original image, water color on paper. Based on the house where I currently rent, Albany, NY. Perspective lesson


Charcoal on paper, study/review of face and facial features. My students ask that I draw and older man.


Perspective study, based on an image by Gustave Caillebotte, (“Paris, a Rainy Day”).


Figure study, “Officer in Riot Gear” oil pastel and charcoal on paper.

The Class

For those that didn’t know, I have spent the last several weeks teaching an art class within the Capital District Psychiatric Center. My goal is to get funding to expand a program that makes fine art classes a part of mental health treatment both inside and outside the hospital in the city I live in: Albany, NY.

Again for those who didn’t know: this is a goal for me, because I know when I was inpatient in CDPC, art groups were important to me as a way to rebuild my life in the hard times I was having. The art groups were something I looked forward to each day when I was inpatient. As  teacher, I want to use art to help troubled people do what I did: get out of the hospital and live better lives outside of the mental health system. Mentally ill people can live full lives, hold jobs, and stay well. We can and do recover. I feel like art can help mentally ill people do that, and I am not alone in that belief.

In that spirit, I’d like to show some of the in-class demonstrations I have done. These are sketches and things I did during the class, demonstrating for my students, art techniques and skills.

It’s my hope that my students not only develop their own skill, but find ways to make art a part of thier lives once they are back living in the community –professionally, or non-professionally.

Art is important. I know from looking around my classroom, art is important to helping struggling people heal.

Some images:


Bulletin board of my student’s work


[update] 5/21

This past week the class has been working with mannikins (croquis) I was able to purchase with the grant money I received. The class has really latched on to drawing with croquis. This past week, I have been encourage students to pose the croquis and talk about an incident in their lives. The class has a two-fold purpose of not only teaching art, but as an informal part of the students therapy and recover from significant mental illness (all students are currently admitted on an in-patient basis). There are two images from this (my in-class demonstrations):

croquis/figure study charcoal sketch on paper

croquis/figure study charcoal sketch on paper


The first sketch: a student described a family member who had overcome addiction.


Croquis/figure study charcoal on paper

Croquis/figure study charcoal on paper


The pose is meant to describe a student’s experience during a recent depressive episode.



Adding some new works, older sketches and works are towards the bottom of the post.


Acrylic on paper, student prompt was to represent what “trouble” meant to them, based on a podcast from “This Modern Life”. Related to a San Francisco cafe whose proprietor struggles with Schizo-effective disorder.


Fayette Michigan, abandoned town and now a historical site. Watercolor on paper.


Lake Michigan, near Escanaba, Michigan. Watercolor on paper.


Sketch, charcoal on paper. Portraits.


Oil Pastel on paper. Prompt for this was encouraging students to depict “Safe Spaces”



Sketching architecture, reproduction of Van Gogh’s House at Arles.


Architectural study, perspective example. In this case a very quick study of the corner of Clinton and N. Pearl St. In-class example.


Study, landscape, another Van Gogh reproduction.


Study of Paul Klee’s “The Red Balloon,” from a lesson on using color and abstraction/ non-representational drawing.


Architectural study, from the book “Hudson Valley Ruins.”


Portrait, study. From a lesson about composition and placement of facial features.


Studies: faces and facial features.


Study, portraiture, faces and facial features.


Placement of facial features and composition.


Manet’s work “The Old Musician” has been a recurrent theme in my sketching. In this case, the “dread-locked cow-girl” is based off a figure in the Manet piece, and swaps the gender of a figure from Manet’s work.


Study, dog


Study, infant.


Study, tree trunk.

First, a figure study. Study of a child playing, including an illustrated armature (left). In class demonstration.


Reproduction, Paul Cezanne. Working on landscapes, explanation of horizon line. Oil pastel on paper.


New Sketches at Trinity 17, March, 2013 (with commentary)

For those that don’t know, I am an assistant teacher in a fine arts class at Trinity Alliance, a local non-profit serving Albany’s South End. You can learn about the class here:

The class is taught once a week, Saturdays 11-2. I usually get a little time to work on a few things for myself during the time I am teaching. Mostly, I am doing works that demonstrate the skills being taught in the class that day. Most of my arts education was pretty informal, I took some college level studio painting classes, but never took a fine arts degree, so a challenge for me in the class is taking what I learned intuitively, or by practice, and teaching those skills in a manner that my students understand.

I was talking to our head teacher, Malik Huggins, about what he wanted the younger students to do that day (the class is open to adults and children, and we usually have about 3 or so regular students that are younger than 12 or so). About five minutes before class began, I started sketching out a simple line drawing of a cartoonish character. I never studied cartooning, and the form never was very interesting to me as an artist. Still, I needed an image that would be appealing to my young students to help teach them blending with colored pencil.

Here’s the end result that I came up with:

Mario, sketch

Mario, sketch 8” x 11”

It’s sort of fortunate for me, that, being an ’80’s kid, the Mario character is something that plays well to the young set. When I was making this, I was thinking of my own seven-year-old son, because Mario is one of his favorite characters in the games he plays on his Nintendo DS. I plan to frame this and give it as a gift to the kiddo.

This particular page of the blog is going to (eventually) include, a lot of sketching that I have been doing as demonstrations for my students during class. I won’t lie, I learn a lot from the two other artists I work with in the class. We have been doing figure drawing, and a local man has been kind enough to volunteer as a model. I have a whole series of sketches, that, once they are photographed, I will include here.

When I was a fine arts student at a local college, I found doing reproductions of famous artists’ work to be a very helpful learning tool. It’s also helpful for teaching those techniques to my students. So, In class, I have done several reproductions of famous artist’s works as a way to help teach my students:

Some sketches from previous classes:


Reproduction, Pablo Picasso, Harlequin with Mirror, Oil Pastel on Paper

Reproduction, Paul Gauguin, Ancestors of Tehamana, pencil on paper

Reproduction, Paul Gauguin, Ancestors of Tehamana, pencil on paper


The past couple of weeks, the Trinity class has been doing sketches of a still model. Our model, Colin, has generously volunteered his time. Between teaching, I have done several sketches, to demonstrate still-drawing techniques for my students and for my own practice. Here are the sketches over the past couple weeks:

Many of these are just quick figure studies, of a model in a pose for 2-5 minutes, so not really completed works.

Still drawing, seated male

Still drawing, seated male


three still sketches, male model


figure study, male model, standing

figure study, male model, standing



figure sketch, female

abstract sketch of older student

abstract sketch of older student


I’ll be updating as more work is completed…


Lastly, our class is funded entirely by donation. There is a pay-pal link on Trinity’s page (see the link above). If you can make a donation, your money would go directly to buying supplies for our class –which is free and open to the public. Your donation allows us to continue teaching a fine arts class in one of Albany’s most economically disadvantaged neighborhoods, to individuals and families who otherwise might not be able to afford a fine-arts education.

Learn to Draw Art Class at Trinity Alliance, Albany

Art work on display at Saturday’s event

Yesterday, Saturday August 25th, students in Malik Huggins “Learn To Draw” art class showcased their work at the Shop Rite store on Central Avenue in Albany. The class is free, and held every Saturday from 11am to 2 at the Trinity Center, 15 Trinity Place, Albany. The class is designed to teach basic fine art techniques and art theory and history to residents of Albany and is open to both youth and adults.

Student art work at Saturday’s event

Refreshments were served and the families of our art students got to see their work framed and displayed. I’m personally very proud of all the hard work of our artists over the past several months.

If you are interested in supporting Trinity Center’s work with a donation, there is a form on the web-site:

Your donation will help the class purchase classroom supplies. You can learn more about the class here: