I’ve recently become a lot more disciplined in doing regular sketches of images that I find interesting for whatever reason. When I was a kid, or a teenager, it was a natural thing to just pick up a sketch-book and treat whatever I saw. I sort of lost that habit in the business of being an adult. Now, as I am producing more lately, large complete works, it’s all the more detrimental to maintain regular practice sketching small ideas and things that I may want to turn into larger complete works.
So, I came across the following Reuters photograph in the NYT (photo by Rebecca Cook): http://www.nytimes.com/2013/09/27/us/300-million-in-detroit-aid-but-no-bailout.html?pagewanted=all&_r=0
I started with a pencil, and quickly realized what I thought was going to be a quick sketch was actually a very complicated and difficult image to reproduce. There was so much texture to this photo, from the over-grown grass, to worn brick, to wispy clouds. I actually put a couple hours into this over a couple days.
This gets to why doing regular sketching is important. There was a lot of problems to solve with this image, a lot of challenges to it too. This is how being twenty years into taking art seriously, I am still learning and not stagnating. Enjoy:
Continuing on the sketching habit, I was immediately charmed by this image in the NY Times. This is Arline L. Bronzaft. She’s described in the NY Times article as a “environmental psychologist.” This fiery little woman has been a consultant to NYC mayors for decades now, she essentially busies herself with reducing noise problems in one of the most bustling urban environments in the world.
So, continuing the tirade with sketches from photos credited to the New York Times, I did this photo from the paper of virtuoso Pipa player Wu Man,
I did a bit more sketching last night. I am trying to draw out some ideas for the small works I talked about in the “Small Works” Blog.
The first draws from “Right Woman…” by Degas. I was doing a class demonstration and realized this pose has some pretty serious challenges in it. So, I brought the image home to work it again:
These poses of young girls come from two separate works by Edouard Manet: (“Old Musician,” and “St-Lazaire” respectively):