Industrial Strength New Years Eve @ Broadway Joes, Buffalo NY, 12/31/1015

It was a bitterly cold end to the year, when Destroy Eleven joined Soul Reactor, Burrangels, Petals and Thorns, and Standard Issue Citizen for Industrial Strength New Years Eve. I didn’t get a lot of photos, but there were a few.

All and all, some fantastic performances…

Soul Reactor:

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Blurrangels:

 

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Petals and Thorns:

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Man Woman Machine:

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Also, (not performing, unless you count lulz as performance) NDru Virus:

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Thanks everyone who was a part of the night, whether I was meeting you for the first time, or we’ve worked together previously.

Eleven Images: New Work, 2016

First post of the new year. So, hey!

The older, recent works can all still be seen here. http://wp.me/p2c9SR-a9

Find my e-mail in the about section and contact for details.

To finish off the last of old business, the last image I started in 2015 was a little canvas I shortened the name to “Starvation.” After a second sitting, it came off a little too flat and blended. So, I darkened the image up slightly with some Burnt Sienna, and I think this one’s ready to take off the easel and let dry.

Here is the final image:

 

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“Starvation” 11″ x 14″ oil on canvas, $70

 

I’ll have to start tallying up to see how close I came to hitting my goal over the past couple months, (I’ll do so when I photograph all my new works for my catalog and put wires in the back). It’s now a new year, and I don’t see any reason to slow down on what I am doing. With that in mind I did some color blocking on two new, yet untitled canvases.

 

New piece:

 

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“for this moment, everything is mine” oil on canvas, 18″ x 24″ $135

Came together in one sitting, but I had a very specific idea about it.

 

These two with be the first pieces this year.

 

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Untitled canvas, 11″ x 14,” oil on canvas, first sitting.

 

Second sitting:

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Lick the Wound (Until My Tongue is Gone), oil on canvas, 11″ x 14″ $185

 

And the other:

 

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Second untitled canvas, oil on canvas, 8″ x 10″ first sitting.

 

Second sitting:

 

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“A Masque is for Truth-telling”, oil on canvas, 8″ x 10″, $75.

 

 

Will be updating with more images as the pieces and others come together.

Best wishes to my readers for the new year!

 

 

Quick Lessons: Get Some Perspective!!!

One of my current students has expressed an interest in architectural drawing. I am probably going to be bringing several source images to class for architectural studies. One thing I have not been shy about in my career as an art teacher, is directly addressing where I find gaps or a weakness in my own knowledge of my craft. I am primarily a figure/portrait and color guy, so this morning I busied myself finding, and then doing, a basic study in perspective. While my result today is by no means flawless, I did find the work relatively natural, and I remember more than I think I do. It’s been years since I’ve done many exercises in perspective, even if in my work it gets applied frequently.

The simplest exercise is multiple-point perspective is a cube. I found this image on a web-forum for game design, and you can see the image I used here.

I find it helpful with these studies to give yourself space to work. The largest paper I have readily at the moment is 11″ x 14,” so to create my horizon line, I worked with two pieces of paper taped together.

The original image is here (on the forum, scroll down) is here:   http://forums.tigsource.com/index.php?topic=16420.0

My study is here:

Study, cubes, exercise in perspective

Study, cubes, exercise in perspective

Hopefully, I will have the opportunity to add to this in coming days. If you do your own study, you can share your results in the comments. As this page gets rolling we’ll be taking on perspective studies of more complex architectural drawing and buildings. If you line a series of cubes up, larger and smaller, all meeting at 2 points relatively close on the horizon, you start to get what looks like a city street, that may be one of the places I choose to go in the coming class. Space them at far ends of the horizon, like in the cube exercise, that’s the basis for blue-printing a structure. Try it, see how yours comes out.

Wednesdays and Thursday afternoons I usually take my son to one of Albany’s public libraries. Today, I took off the shelf a book quite familiar to me (I’m sure I have checked it out multiple times by now) “Albany: The and Now” by local historian and author Don Rittner.

I have something of a fondness for art deco commercial buildings and design. The image I am using here was formerly the 1928 facade of the South East Corner of State Street and Pearl Street –then a restaurant and jewelry store. There currently sits in that corner a high-rise tower which is presently occupied by an M&T Bank on the ground floor.

Here is a 2-point perspective rendering of the 1928 building:

architectural study, Pearl Street and State Street Albany, from the book, Albany, by Don Rittner, used with permission.

architectural study, Pearl Street and State Street Albany, reproduced from the book, Albany, by Don Rittner, used with permission.

I have alternatively heard small-scale art-deco commercial buildings of similar style called “Moderne,” so that term may be more appropriate, but there does seem to be areas of overlap within the two design schools. This structure also is much larger than most examples I have heard described that way apparently without a great deal of the the decorative chrome heavily associated with the style. (An example is the former White Tower building on Central Avenue I have described in the commissions blog).

In coming days I will hopefully be adding a few more examples of particular buildings, and perhaps moving into street scenes.
Happy sketching.

Cultivating the Sketching Habit (IV): Figure Studies & Loosening up

Not everybody has access to a subject for figure study. Figure study is one of those bedrock artistic practices you should always revisit. You simply are never too experienced. You’ll always need to keep the skill sharp –with practice.

I managed –somehow– to not only land a musical collaborator living with me. But also an experienced alternative and plus-size model. (Contact and other info: http://www.modelmayhem.com/325517). Of course I jumped at the chance when she agreed to a few poses for me to use in sketching. She’s always a lovely subject.

This morning I pulled up the photo files I had taken, and began sketching. (Common wisdom is that you shouldn’t draw from photos, I’ve always done so. I take a lot of photos with a couple cameras I own, so it keeps me in subject matter that interests me. I have had many people tell me it’s not the same, but photos from a good camera are convenient and can be available whenever you get the urge to practice).

The first sketch was in pencil. It feels less than perfect, but adequate…

The first image:

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Muse, figure study, pencil on paper

Muse’s pose (she was posed lying on the bed, gazing up at the camera) is really lovely, and there’s a lot of challenges in her poses –foreshortening the legs and abdomen. The harder part was capturing her really quizzical facial expression. I felt I pulled it off in this little sketch.

However, the next sketch I botched. I was starting to get frustrated and getting ready to put pencils down until another day. One thing that helps when a subject is challenging me for whatever reason is to loosen up.

I frequently warned my students about the dangers of becoming to tight and getting stuck just getting details right. When I find myself doing this I back off and do simpler line and gesture drawings. I don’t need to focus heavily on details, and turn my attention to proportion, gesture, and the pose. Get the pose right first, and do it over and over. So, that’s precisely what I did.

Some of the sketches were rather abstracted, others are slightly more detailed. All of them were done in a few minutes a piece, the way one would do in a 5 minute life drawing pose. There’s something I like in pretty much all of them.

Changing my focused work. I turned my attention to some problem areas, and worked them over and over:

working on problem areas, charcoal on paper

working on problem areas, charcoal on paper

In the end, I made several more simplified sketches I was happy with. More sketches to come as I work on them.

figure study, Muse, charcoal on paper

figure study, Muse, charcoal on paper

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Muse, figure studies, charcoal on paper.

It took a while to loosen up my sketching until I was seeing results I was happy with, but it got there. So, snatching a small victory out of an earlier attitude that was pretty defeated.

[update, 9/13]

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female figure, study, upper body

I secured a commission with a client that has requested life drawing/portraiture, in charcoal on paper. So, pretty fortuitous I published this blog less than a month ago. Not to beat a dead horse, but when I spoke in the original post about bed-rock artistic practices, and keeping your skills sharp, I was very serious. The opportunity to do this commission came at a good time, as my teaching of the class is on hold at the moment.

The following images include both male and female figures, in charcoal on paper.

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Male figure, charcoal on paper

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female figure, charcoal on paper

At one point I focused on a a face (my partners).

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study, face.

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figure study, charcoal

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Male figure, charcoal on paper

Eleven Images: Featured Pieces of the Week

I decided to make a new feature for the art blog. Each week I will spot-light a different work that is for sale and not currently on exhibit. This summer and fall is shaping up to be pretty busy with exhibition. Also, with the Art on Eight show having come down, now, I am suddenly with a glut again of work back in my two-bedroom apartment. With that in mind, I will feature different pieces here each week. Some of these will be discounted from what I have asked when the works were on exhibit.

Unfortunately, my pieces were not among those chosen for an upcoming display. However, friends in the art community here in the Capitol Region and other great artists were, so I still plan to show my support when the display opens. The other upside to this, is the work will be available for sale immediately.

First, a little about the pieces (below). The wood panels came from a discarded dining room table. It is a light colored wood, probably Oak or Maple. The panels were sanded and gessoed before I began painting

The images on them are composite images from two photographs taken more than a decade apart. First, the background is meant to imitate a photo of Lake Michigan I took as a teenager with a Pentax K-1000 on 35mm film. In another blog I talked about how the roll was neglected in the bottom of a box. I did not find the undeveloped roll of film until almost a decade later. The negative was pretty seriously degraded. The background of these images was inspired by that. Secondarily, the wings themselves are reproduced from an image I took of an Eighteenth-century headstone in a burial ground in Amherst, Massachusetts with a digital camera.

Even though they didn’t make the cut, this time, for the exhibit I intended them for, I was very proud of the pieces. Because these were found object pieces, the surfaces of the wood panels I painted on required a lot of time and labor to prepare. The image on them was the work of a couple days. This was a very involved piece. The panels are large and heavy so it would be expensive to ship.

If you are interested in the pieces, either, one side, or both pieces, please contact me at eaton.robertb@gmail.com to inquire:

 

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Wing (Left) acrylic on wood panel, 14″ x 35″ for price, inquire with artist.

 

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Wing (Right) acrylic on wood panel 14″ x 35″ Inquire with artist.

 

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Both images, pictured with the artist.

 

Please email inquiries or offers to eaton.robert@gmail.com (see the about section for details). As I said earlier, I have a whole lot of work that has recently come back to me. The following works were all included in The Art on Eight show. The show was put on by the New York State Office of Mental Health to spotlight the art work of artists who receive services through the Office of Mental Health. (Some of the previous show have been included in OMH’s Art on Eight Flickr gallery.

 

Several of the small works together that were recently in the show.

Several of the small works together that were recently in the show.

You can see more close up shots of the works as you scroll down (all these works are framed –you will probably wish to use another frame, it was a temporary solution for display purposes) These works are all $25, use the contact information in the about section of this blog: The following pieces are all approximately 8′ x 10″.

Fedralsburg, acrylic on cardboard

Fedralsburg, acrylic on cardboard [sold]

Study (Manet) The Old Musician, acrylic on Cardboard

Study (Manet) The Old Musician, acrylic on Cardboard

Figure Study, colored pencil on paper

Figure Study, colored pencil on paper

Trinity Church, acrylic on cardboard

Trinity Church, acrylic on cardboard

Young Mother and Child, acrylic on cardboard

Young Mother and Child, acrylic on cardboard

Dread locked Cow-girl, acrylic on cardboard

Dread locked Cow-girl, acrylic on cardboard

Figure Study, charcoal on paper.

Figure Study, charcoal on paper.

Angelspit and The Gothsicles with Man Woman Machine, The Fuze Box, Albany, NY.

I still have a lot more photos to add. Hopefully, the photos speak for themselves. This will be a hard bill to top for me.

First, Man Woman Machine is an electronic/Synth Pop band hailing from Rochester, NY and Massachusetts.

[all photos Robert B. Eaton/Rahb Eleven/Eleven Images, it’s not as though I make money for this, so just give me credit if you share these images anywhere else]

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Brian (The Gothsicles) has been coming back to Albany a lot these days. We couldn’t be more pleased to have him here in Albany. He’s coming back in an upcoming ExHuman event, appearing as his scaly alter-ego, DJ Fishdick.

From The Gothsicles set:

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This counts as the first time I’ve gotten to see Angelspit live. The set ranged through tracks spanning Angelspit’s discography, quite a few tracks off the latest release “The Product.” The set also included a track by Hardcore Pong, the side project of Karl (Zoog Von Rock/Angelspit) and Brian (The Gothsicles) with Brian joining Zoog and Matt (who did double duty with his hand-held midi-controller) onstage. Needless to say, the set did not disappoint.

Perhaps the best part of the night (for me personally) was the ten or so minutes I spent picking Karl’s brain about the stage clothes he custom-made for the tour. Super cool guy, and just massively creative, it was really cool to finally meet him after all the years following Angelspit’s career.

Anyway, this is the photos with (with camera 1) that I took. All the photos Aperture priority 1600 ISO, with flash. Edited in iPhoto.

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Near to the end of Angelspit’s set, my main camera’s battery went dead, and I shot the rest of the set with another camera. I will be including those photos, plus some crowd and behind the scenes nonsense, when I have a chance to update.

Exhuman, Hive. May 1st, 2015 in Albany, NY at The Fuze Box

Photos from Exhuman’s recent event, Hive. Photos by Robert B. Eaton/Eleven Images, please attribute. Taken with Canon Powershot digital camera and edited in iPhoto. IMG_0140 IMG_0141 IMG_0142 IMG_0150 IMG_0151 IMG_0153 IMG_0154 IMG_0155 IMG_0156 IMG_0157 IMG_0158 IMG_0159 IMG_0160 IMG_0161 IMG_0162 IMG_0163 IMG_0164 IMG_0165 IMG_0166 IMG_0168 IMG_0169 IMG_0170 IMG_0172 IMG_0174 IMG_0175 IMG_0177 IMG_0179 IMG_0184 IMG_0185 IMG_0186 IMG_0187 IMG_0188 IMG_0191 IMG_0192 IMG_0193 IMG_0195 IMG_0196 IMG_0197 IMG_0198 IMG_0201 IMG_0203 IMG_0204 IMG_0205 IMG_0208 IMG_0210 IMG_0217 IMG_0219 IMG_0220 IMG_0221 IMG_0223 IMG_0224 IMG_0225 IMG_0228 IMG_0229 IMG_0230 IMG_0231 IMG_0234 IMG_0235 IMG_0236 IMG_0237 IMG_0238 IMG_0239 IMG_0240 IMG_0246 IMG_0247 IMG_0248 IMG_0250 IMG_0251 IMG_0255 IMG_0262 IMG_0264 IMG_0265 IMG_0276 IMG_0277 IMG_0280 IMG_0282 IMG_0284 IMG_0285 IMG_0286 IMG_0288 IMG_0289 IMG_0290 IMG_0291 IMG_0292 IMG_0293 IMG_0294 IMG_0295 IMG_0297 IMG_0298 IMG_0299 IMG_0301 IMG_0303 IMG_0304Exhuman occurs the First Friday of the month in Albany, NY, at The Fuze Box.

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